How would you
describe the film?
"It's about getting in touch
with why you chose your artistic profession. I also think it's an easy way to
watch Hugh Grant be gorgeous and charming for an hour and a half. That's a good
enough reason for me [to see it]."
"Oh my god, it's like being Ginger Rogers for two months. You just get to be with the greatest, most graceful, elegant, masterful partner. [H]e just comes off with so much charm and ease. It's anchored by so much technique and instinct and thoughtfulness. He knows exactly how to torque a word so that it's that much funnier. His timing can't be bought. I just felt like I was falling into the arms of Fred Astaire."
"My character is trying to work it out. She's definitely using her writing as therapy and trying to figure out her own life. Marc [Lawrence, the director] is pretty open-minded, and...I think he's appreciative of the artistic pursuits of women and what they have to say and what they're trying to work out as well."
Was it actually filmed in Binghamton?
"[Yes],
in the springtime. It was quite beautiful, actually. I had heard lots of
stories about how gray it is, but when we got there, we luckily got the spring
moment. Who doesn’t want to spend the spring in Binghamton and ride the carousel
again and again?"
What are some
of your favorite Hugh Grant movies?
"Gosh, well, Love Actually,
Bridget Jones' Diary, and Four Weddings and a Funeral. He's
amazing. He's so smart, and I think that's also what makes him so funny. Oh,
and Notting Hill, which melts me
every time. He just melts me."
"Right in time for Valentine's Day."
Should people see this instead of Fifty
Shades of Grey?
[Laughs.] "You should see both. It's
a delicious long weekend."