One of the things I value about Netflix is that it distributes black work far/wide. 190 countries will get WHEN THEY SEE US. Here’s a promo for South Africa. I’ve had just one film distributed wide internationally. Not SELMA. Not WRINKLE. It was 13TH. By Netflix. That matters. https://t.co/lpn1FFSfgG
— Ava DuVernay (@ava) March 3, 2019
It’s possible that Steven Spielberg doesn’t know how difficult it is to get movies made in the legacy system as a woman or a person of color.
— Franklin Leonard (@franklinleonard) March 2, 2019
In his extraordinary career, he hasn’t exactly produced or executive produced many films directed by them. https://t.co/i88BrApzR8
If your film is not selling well in the theater, it may not be able to fulfill the 4-week engagement. You may pitch your movie to all the top studios, and get passes at each one, not because your film isn't great. You may have to explore other options for getting your work seen.
— Nijla1 (@Nijla1) March 2, 2019
If the Academy’s commitment to diversity & inclusion as articulated in its A2020 strategy is as robust as it seems, excluding Netflix and its diverse artists, storytellers & filmmakers from awards consideration makes no sense.
— Prasanna Ranganathan (@PRanganathan) March 2, 2019